Italian
art has engendered great public interest and involvement,
resulting in the consistent production of monumental
and spectacular works. In addition, Italian art has
nearly always been closely allied with the intellectual
and/or religious currents of its day while retaining
its own remarkable past as a continual source of
inspiration. Florence is called the capital of arts;
according to statistics produced by UNESCO, 60% of
the world's most important works of art are located
in Italy and approximately half of these are in Florence. Find
a ton of useful information about Florence and charming
old town and places around
Florence
Tuscany historic town tourist
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Florence
attracts a high proportion of international travelers
to Italy. The city is an active centre of art and culture,
and organizes periodical exhibitions and art festivals.
Florence is called
the capital of arts. From the 13th to the 16th century
it was a seemingly endless source of creative masterpieces
and Italian genius.
Florence center area
The
first traces of civilization in the Arno valley, where
the city of Florence now stands, date back to the Villanovan
period (Iron Age). The Etruscans later ruled over the area;
their domination persisted for several centuries, until they
were eventually conquered by the Romans who founded a "municipium" with
the auspicious name of 'Florentia', with the aim of guarding
the important ford over the Arno.
In the photo: Piazza della Signoria Palazzo Vecchio.
It was, after the fall of the Roman Empire, at first a feud
of the marquesses of Tuscany, among whom Matilda of Canossa
particularly distinguished herself at the time of the Investiture
Contest between Pope Gregory VII and the Emperor Henry IV.
Subsequently it became the theatre of violent struggles
between the ancient aristocratic houses and the pQwerful
class of the craft workers incorporated in the various guilds
of arts and crafts: these rivalries gave rise to the two
factions of the Guelfs" favourable to the Pope, and the
Ghihellines, favourable to the Emperor. Yet the ferocious
civil strife that hedevilled Florence in the Middle Ages
did not impede the political, cultural and economic development
of the city which, by the close of the 13th century, had
extended its rule over the rival cities of Siena,
Arezzo and Pistoia.
At the same time it witnessed the extra ordinary flowering
of the arts expressed in the masterpieces of Cimabue, Giotto,
Dante and Arnolfo di Camhio. Meanwhile the political life
of the city, as fertile and tormented as ever, saw the revolt
of the common people against the magnates in the Ciompi
Revolution (1378), the rise to power of the great banking
houses destined to monopolise civic life, and the emergence
of the Signoria (lordship) of the Medici under Cosimo the
Elder (1389-1464); Medici rule over the city was to persist,
despite periods of interruption, for almost three centuries.
Florence from Michelangelo's
plaza - The Arno river and Duomo view.
Florence by night from Michelangelo's
plaza - The Arno river and Duomo view.
Cosimo was succeeded by his sun Piero di Cosimo (Piero the
Gouty: 1416-1469), and then by his nephew Lorenzo, nicknamed
the Magnificent (1449-1494), a patron, poet and politician
of consummate skill who led Florence to the height of her
splendour. A few years after the death of Lorenzo, the Republican
faction, hostile to the rule of the patriciate and inflamed
by the violent and passionate preaching of the Dominican
friar Cerolamo Savonarola, gained the upper hand and entertained
the hope, or rather the delusion, that it could resto re
the life of the city to its original purity of custom that
had, according to Savonarola, been vitiated by the taste
for luxury, the thirst for profit, and a prevailing spirit
of profanity and superficiality. Restored to power, the
Medici continued to govern the city, with the exception
of one or two brief interregnums, until 1737, when the dynast
was finally extinguished on the death of Giangastone. Having
in the meantime become a GrandDuchy, Florence was then governed
by the House of Lorraine, which retained it until the annexation
of Florence and Tuscany to the Kingdom ofItaly,
whose capital Florence became in 1865.
From this time onwards the particular history
of Florence was incorporated into the wider horizon of the
history of Italy as a whole.
Florence stands 50 m. above sea level on
the banks of the Arno River, in a hollow surrounded by the
first Chianti hills to the south and the Fiesole hills to
the north; these hills are green and undulating dotted with
small towns and isolated homesteads. A city of art and culture,
Florence is the destination of a high proportion of international
tourism.
Originally a Roman centre (Florentia), it
began to acquire a certain importance under the Carolingians
but its fortunes date from the time (1115) of its constitution
as a Republic. Torn in the 13th-beginning 14th centuries,
by internal strife between the Guelphs and Ghibellines,
and later between White Guelphs and Black Guelphs, this
did not, however, prevent it, aided by increasing economic
importance from undertaking a policy of expansion directed
at the largest Tuscan towns. In 1406, once Pisa had fallen,
only Siena and Lucca remained free of Florentine rule. Shortly
after (1434), the Republic became a Signoria under the Medici
family; in 1530 Charles V created the Dukes of Florence,
a title which, in 1569, was changed to Grand Dukes of Tuscany
as, in the meantime, also the strong Republic of Siena had
fallen (1555).
Under this Signoria the town gained great
masterpieces by the foremost artists of the time (Brunelleschi,
Donatello, Botticelli, Masaccio, etc.) becoming the most
important European centre of Renaissance culture. When the
Medici family died out, the Lorenas gained power in 1737
and, apart from the Napoleonic period (1800-1815), governed
Florence and the region until 1859, the year in which Duke
Leopold II was expelled and Tuscany became part of the Kingdom
of Italy; it was even the capital city from 1865 to 1870.
The city's urban structure has evolved from
the historical cen tre characterized by roads of Roman origin,
in successive concentric expansions demarcated by surrounding
walls (12th and 14th centuries). Expansion beyond the walls
started in the second half of last century, partly the result
of building the railway stations, though it rose to considerable
proportions in the 1950's owing to the increase in population
and the city's economic importance. Today Florence stretches
towards Prato to the northeast and Siena to the south.
It is impossible to mention all the countless
important monuments and works of artistic attraction, however,
limiting the list to the really outstanding, Piazza del
Duomo and Piazza della Signoria draw the attention of all
tourists. Piazza del Duomo is the site of the principal
palaces of religious interest: the Baptistry, a Romanesque
building (11th-12th century) perhaps over an older structure,
with beautiful bronze doors (14th-15th century by A. Pisano
and L. Ghiberti) and mosaics; the Giotto campanile (14th
century, 84.7 m high) and the Duomo, in Gothic style (14th-15th
century), surmounted by the famous Brunelleschi cupola (15th
century), housing works, among others, by Paolo Uccello,
Luca della Robbia, Andrea del Castagno, Michelangelo (the
Pieta sculpture). In Piazza della Signoria stand the Loggia
della Signoria (14th century), decorated with 16th century
statues, and Palazzo Vecchio (early 14th century), dominated
by the Torre d'Arnolfo (94 m.), with an interesting Renaissance
interior. Other monuments include: Palazzo Medici-Riccardi
(15th century), Palazzo Pitti (15th century, to a design
by Brunelleschi), Palazzo Strozzi (15th - early 16th centuries),
Palazzo Rucellai (15th century), Palazzo Davanzati (14th
century). Churches include: S. Lorenzo (15th century) with
the Sagrestia Vecchia (by Brunelleschi, decorated by Donatello)
and the Sagrestia Nuova, housing the Medici family tombs
sculpted by Michelangelo, S. Spirito (15th century), S.
Maria Novella (Gothic, with façade by L. B. Alberti),
Orsanmichele (15th century), Santa Croce (13th century,
Gothic), containing the tombs of Michelangelo, Galilei,
Alfieri, Machiavelli, Foscolo and other great men, with
the adjacent Cappella dei Pazzi, a Brunelleschi creation
(15th century); S. Miniato al Monte (Romanesque, with rich
interior). Further attractions are the stupendous Italian
gardens at Boboli, created in the 16th and 17th centuries,
and the inspiring Ponte Vecchio (14th century).
The economy of Florence is based mainly
on the services sector, as the city is an important commercial
centre for trade from the Po Valley, Romagna, Umbria and
the south of Tuscany. The traditional centuries-old banking
and financial sector continues to flourish. Tourists and
crafts (jewelry, embroidery, footwear, leatherwork, ceramics,
wrought-iron and basket work, lace and reproduction furniture)
provide considerable sources of income. The city is an active
centre of culture, and organizes periodical exhibitions
and art festivals. Industry, though consisting generally
of small and medium-sized firms, has fairly im portant precision
engineering, pharmaceutical, publishing, chemical, metallurgical
and textile sectors.
Events: International
Crafts Fair (April-May), Antiques Biennial, Music in May,
Opera and Theatre Seasons, Fashion shows, Festival dei Popoli
(December). Folkloristic are: Calcio in Costume (July) and
Scoppio del Carro (Easter).
Famous People: Dante
Alighieri (poet, 1265-1321), Filippo Brunelleschi (architect,
1377-1446), Benvenuto Cellini (goldsmith, 1500-1571), Francesco
Guicciardini (historian, 1483-1540), Andrea del Sarto (artist,
1486-1530), Donato dei Bardi, called `il Donatello' (sculptor,
1386-1466), Lorenzo Ghiberti (sculptor, 1378-1455), Alessandro
Filipepi called `il Botticelli' (artist, 1445-1510), Domenico
Bigordi called `Ghirlandaio' (artist, 1449-1494), Giovanni
Cimabue (artist, 1240-1302), Niccolo Machiavelli (politician
and historian, 1489-1527), Antonio Pollaiolo (sculptor,
1432-1498), Filippo Lippi (artist, 1406-1469), Luca della
Robbia (sculptor, 1400-1482), Lorenzo the Magnificent (the
most famous of the Medicis, 1449-1492).
Cultural Institutions:
The University, Il Machiavello Academy, Il Merzocco Academy,
Vieusseux Scientific and Literary Cabinet, Spadolini Nuova
Antologia Foundation, Uffizi Gallery, the major Italian
art gallery with works by, among others, Cimabue, Giotto,
Raffaello, Piero della Francesca, G. Bellini and Titian;
Museum of the Opera del Duomo (works by Donatello, Luca
della Robbia), Palatina Gallery (Rubens, Titian, Tintoretto,
Raffaello), Museum of S. Marco (Beato Angelico), Museum
of Bargello (sculptures by Michelangelo and Donatello),
Museum of the Ancient Florentine House, Gallery of the Accademia
(works by Michelangelo), Bardini Museum, Museum of the Opera
di S. Croce, Archeological museum.
In the Province: Prato
(the most populous Italian town which is not a provincial
chief town; wool industry, Textile Museum), Empoli (agriculture
and industry), Fiesole (environmental interest, Romanesque
Duomo), Sesto Fiorentino (Doccia China Museum), Castelfiorentino,
Certaldo (Palazzo Pretorio museum), Vinci (birthplace of
Leonardo, Leonardo Museum), Vicchio (Giotto's home).
Florence
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